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Example research essay topic: Victorian Era Sister Carrie - 1,352 words

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... after. Angel is hansom and easy on the eye. He gives off a un-sabbatarian aspect due to the fact that he is a dogmatic parsons son (Hardy 181). Claire's character is a direct challenge to religious traditions as he preferred sermons in stones to sermons in churches and chapels (181).

Angel and Tess become married even though they both hold secrets from each other. The night of their wedding each take turns in confessing past sins! Angel did not mention it because (He) was afraid of endangering (his) chance of (Tess) (286). In the past Angel had an affair in London, but eventually (had) no more to say to her and (he) came home (287). (He has) never repeated the offence (287). Tess forgives and is willing to forget Angels past.

Now it is her turn to confess. She confesses her ordeal with Alec. Being the semi-typical Victorian male Angel is infuriated. How could she have lied to him about her chastity? Angel decides to leave Tess despite her pleas and explanations that she was just a child. Years later Angel returns a changed man.

He searches for Tess to offer complete forgiveness. Dynamically, Angel decides to let the past stay in the past and focus on the future with Tess. In addition, the dynamic character George Hurstwood in Sister Carrie goes from riches to rags. As the materialistic Carrie meets the Fitzgerald and Moys she takes notice in the qualities Hurstwood possesses that her current lover does not.

Carrie fell in love immediately, Hurstwood's money that is. Little did she know, Hurstwood is already married with children. Upon finding this out Carrie wants nothing more to do with Hurstwood. Hurstwood's life begins to disintegrate as his wife learns of his affair and divorces Hurstwood, taking all his money and assets. Desperate times call for desperate measures.

At work Hurstwood discovers a safe still open. He ponders over stealing the money the safe contains. As he holds the money in his hands George believes it seemed a foolish thing to think about leaving it (Dreiser 252). After all tie could live quietly with Carrie for years (252). This thought decides it. In a flash Hurstwood commits the crime, which leads to his downfall.

Our of love Hurstwood tricks Carrie into leaving with him. Hurstwood feels his life is coming together. In reality it is falling apart. Later in the story Hurstwood does not quite grasp the situation he is in. He believes no matter what he will still have Carrie, even though his love for her is no more. Carrie leaves Hurstwood.

This once rich man with a perfect social life is now at rock bottom and he realizes that. Hurstwood meets his end with the small price of fifteen cents. He has struggled for too long and figures whats the use? as he takes his own life. A few different turns and Hurstwood may have had a great life. These two novels prove that a dynamic character can change for the better or be perfect and slowly diminish.

Even though the women in Sister Carrie, Maggie: A Girl of the Streets, and Tess of the dUrbervilles are tragic heroines epiphanies are reached. For example, after all of Tess hardships she reaches an epiphany at the very end of Hardy's novel. Tess realizes that her life has been extremely difficult. She suffers pain no one should ever endure. With this in mind Tess wants nothing more than for her sister Liza-Lu to have the life Tess never had, a happy one.

Tess proclaims (Liza-Lu) has all the best of me without the bad of (her) (Hardy 503). Tess cares so deeply that she even wish (es) (Angel) would marry her if (he) lose (s) (Tess) (502). Tess knows that killing Alec, even for the sake of her love for Angel, was wrong. She cannot live.

As the consequences take toll and Tess is arrested she is glad for happiness could not have lasted (505). After all, It is as it should be. In addition, Maggie's epiphany comes with a simple question. After the ordeal with her first love Pete, Maggie attempts to gather her thoughts. Pete used Maggie. As she finds there is no where to go and no one to turn to due to her ruin reputation she reaches an epiphany.

As she wandered aimlessly for several blocks (Crane 53) Maggie questions aloud Who? . This epiphany contains a double meaning. Tess questions Who? wondering who she can turn to now.

Her unloving mother has kicked her out. Not even family wants her. No one can except Maggie and her reputation. Maggie also questions Who? Trying to identify with herself.

Maggie's epiphany does not change her life for the better. Feeling violated prostituting herself Maggie ends her own life. Furthermore, although Carrie does not reach an epiphany, Dreiser hints that she questions herself and her materialistic ways. Along Carries struggles with Hurstwood she meets a man named Ames.

Ames is quite the opposite of Carrie. He considers material items to be of no value and has a clear head on his shoulders. This man causes Carrie to (drift) away from the old ideal which had filled her in the dressing rooms of the Avery stage and there after (Dreiser 468). Ames makes Carrie realize there are better things in life, a better thing.

Yet, Carrie (does) nothing-grieving (470). The stories of these three women are complex, yet each author portrays them in simple ways. For example, Hardy portrays Tess as a martyr. Tess challenges the ideal of the typical Victorian female. Tess defies religion by baptizing her baby and giving him a proper burial. She goes society by marrying unchaste.

Perhaps the greatest defiance was killing the man who tore her life apart. Tess represents what women wish they were brave enough to be. Tess likeness to a martyr is further illustrated by Hardy as Angel and Liza-Lu the Two Apostles (Hardy 506) are in the scene when Tess is put to death by law. Justice is committed for the sake of love, for the sake of all women.

In addition, Crane portrays Maggie as the face of poverty itself. During Maggie's childhood physical and mental abuse are an everyday thing. The apartment Maggie shares with her family is in shambles. Conditions are so poor that the death of Maggie's baby brother is easily forgotten. Her father and mother constantly bicker until her fathers death.

Maggie's mother is a cold hearted drunk. The abuse from Maggie's mother contributes to Maggie's demise. During Cranes time this was not uncommon for a girl of the street. Ironically, as Maggie's mother learns of her suicide she screams Ill forgive her! Ill forgive her! (Crane 61). There is nothing to forgive, for Maggie's mother has committed the greatest sin of all, killing her daughter.

Crane illustrates that no one knows what they did to Maggie or the children of neglect. Furthermore, Dreiser's Carrie is portrayed as the typical Victorian era female, or at least what men thought of females. Carrie is materialistic and naive. Although this gets her fame in the novels end there is a deeper aspect. Dreiser portrays Carries as getting everything she has always wanted. Perhaps the saying money cannot buy happiness applies to Carrie.

In the novels conclusion Carrie is left dreaming alone of such happiness as (she) may never feel (Dreiser 487). Carrie may dream, but may never experience. The portrayal of these women caused many people in the Victorian era to not accept the three authors. They are only speaking the truth through the portrayal of Tess, Maggie, and Carrie. In conclusion, as a reader becomes more in tune with Hardy, Crane, and Dreiser's tragic heroines they notice that the writings share relationships.

Personally, I believe that Carrie is the most tragic out of the three. Sure Maggie and Tess come face to face with death. However, I believe that living a long life, with out the feeling of love, even unrequited love is far worse than death. In the end these women have one fault, their beauty.


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Research essay sample on Victorian Era Sister Carrie

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