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Example research essay topic: Road Less Traveled End Of The Poem - 1,228 words

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... ing that was obviously not for everyone because it seemed that the majority of people too the other path therefore he calls it "the road less traveled by" (Leary, 75). The fact that the traveler took this path over the more popular, secure one indicates the type of personality he has, one that does not want to necessarily follow the crowd bu do more of what has never been done, what is new and different. "And both that morning equally lay in leaves no step had trodden black. " The leaves had covered the ground and since the time they had fallen no one had yet to pass by on this road. Perhaps Frost does this because each time a person comes to the point ere they have to make a choice, it is new to them, somewhere they have never been and they tend to feel as though no one else had ever been there either. "I kept them first for another day!" The desire to travel down both paths is expressed and is not u such, but "knowing how way leads on to way", the speaker of this poem realizes that the decision is not just a temporary one and he "doubted if I should ever come back. " This is his common sense speaking and acknowledging that what he chooses now will a ect every other choice he makes afterward. Once you have performed an act or spoken a word that crystallizes who you are, there is no turning back, it cannot be undone. Once again at the end of the poem the regret hangs over the traveler like a heavy cloud about to burst.

He realizes that at the end of his life, "somewhere ages and ages hence", he will have regrets about having never gone back and traveling down the r ds he did not take. Yet he remains proud of his decision and he recognizes that it was this path that he chose that made him turn out the way and he did and live his life the way in which he lived. "I took the road less traveled by and that had made all he difference. " To this man, what was most important, what really made the difference, is that he did what he wanted, even if it meant taking the road less traveled. If he hadnt, he wouldnt be the same man he is now (Leary, 73). In Frosts book, Mountain Interval, direct irony did not find a continued development toward a truly satirical verse form, although irony does occur through varied interactions. The objective self teasing appears in the The Road Not Taken, when the p t knows he will tell with a sigh the old story of a choice which made all th difference. Again irony flashes in those familiar lines of Birches Where it is hoped that the wish to get away from the earth may not ne granted too soon and too complet y.

It also becomes a focal point of the war poem, Range Finding, when the spider whose web was disturbed by the death dealing bullet finds it to be of no importance. With sadness and pleasantry, irony threads its way through the Mountain Interval, as had done in A Boys Will, without becoming aggressive enough to be considered satire. Throughout the piece, metaphor is the prevalent convention used by Robert Frost. Everything about the poem conveys metaphor. Frost used this literary tool to describe the choices people make throughout their lives. These choices, sometimes unaltered, are the forks in the road of our life.

He demonstrates the unalterable choices by writing, Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. We cannot tell where they will take us and e cannot tell which is the better path. However, we take roads that completely define our lives. Frost conveyed these ideas to the reader through the metaphor of the diverging roads in the wood. The speaker mentions that he or she took the less trave d road.

This metaphor may suggest that Frost thought he had made a decision in life that was not the normal or mainstream decision for his time. Perhaps this could refer to his literary career, as opposed to his initial nonliterary career prior to h move to England. Many conventions were used by Robert Frost to create the poetic piece The Road Not Taken. It is evident, however, that imagery, polyvalence and metaphor are the most prevalent. These three tools bring together the thread of Robert Frosts t units into an extraordinary poem. The poem uses these conventions to convey a fundamental part of human existence.

Everyone who reads this poem can somehow relate to its meaning. Those that are young can associate it to their current lives. They ar making decisions that will drastically affect the rest of their lives. Those that are older can relate to the end of the poem. The speaker knows he will look back some time in the future and realize the effect the decision had on his or her life. Dec ion-making is a very important part of living.

For the most part, it makes all the difference in the world. Robert Frost himself declared that his ultimate goal was that of any serious poet: to lodge a few poems where they will be hard to get rid of. This he had already done long before he had died (After, 55). Whether in making the great effort hid sal mashup had also lodged a reputation which would be hard to get rid of is yet to be seen.

When one considers that he is a poet pure and simple, the pervasive extent of his fame is somewhat suprising. It certainly matched or surpassed that of the better publicized prose writers, such as F. Scott Fitzgerald, William Faulkner, or Ernest Hemingw. That fame achieved without Frosts being the least bit avant garde or bohemian (Leary, 156).

He was never controversial, never summoned before an investigating committee nor in any other sense made notorious. His apparently starless private life sent ut no titillating ripples to spice the columns of newspapers or magazines. There are many equally valid meanings to this poem and Robert Frost may have intended this. He may have been trying to achieve a universal understanding. In other words, there is o judgment, no specificity, no moral. There is simply a narrator who makes a decision in his life that had changed the direction of his life from what it may have otherwise been.

It allows all readers from all different experiences to relate to the poem Bibliography: Works Cited Abrams, M. H. , ed. The Norton Anthology of English Literature. Vol. 1. New York: Norton, 1993. Alter, Charles.

Modern Poetry. Arlington Heights, Ill. : AHM Pub. Corp. , 1979. Brocheim, Anna.

American Biographies. Durham, N. C. : Duke University Press, 1963. Houma, Harry.

A Critical Approach to Questions of Usage. Language Variation in North American English: Research and Teaching. Ed. A. Wayne Glowka and Donald M. Lance.

New York: Modern Language Association, 1993. 318 - 321. Articles on American Literature: 1950 - 1967. Compiled by Lewis Leary, with the assistance of Carolyn Bartholet and Catharine Roth. Durham, N. C. , Duke University Press, 1970.


Free research essays on topics related to: robert frost, road less traveled, mountain interval, duke university, end of the poem

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