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Example research essay topic: Recording Industry Association Intellectual Property - 1,401 words

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... for users to download an MP 3 (even an illegal one) and then decide to purchase an album is still there, but is probably reduced if all material is available for free on the Internet. Discussion While there are many debates about what is going on with copyright laws and technology, one thing is clear: change is inevitable. For better or worse, with every new technology, new regulations seem to appear. And, whether we agree with it or not, regulations are already in the works for digital music. I believe that the area of regulation is where most of the questions in the future will be found.

Changes of format have occurred in the past (see analog -- > digital), but have never posed such a threat to the traditional music industry. In some cases, the changes in format in the past may have helped the music industry, as people demanded the new format to replace the old and so had to purchase new records, tapes, or CDs. In the case of digital music and the possibilities it entails, the challenge to recording companies and artists seems to be if they can handle and adapt to the changes in technology. Instead of the record companies controlling or encouraging the changes, they seem to be focused on catching up and attempting to stop the inevitable. One of the central questions raised by the issue of digital music is how it should be regulated and to what degree. Here is where you get multiple points of views, with two extremes.

There are those who are interested in protecting intellectual property and copyright with any measure and those who think that the system is outdated and that the laws should be changed to reflect a different approach. Record companies usually fall into the former group, while music fans are in the latter (with some exceptions, of course). Those with a vested interest in copyright protection seem, for the most part, to be those who have monetary interests involved. With millions of dollars at stake for record companies, strong regulation is favored. The SDMI is a start at this regulation, but, it seems to come too late. There are still so many illegal copies of music floating around that regulation and enforcement now will be difficult.

Others, namely music fans, rejoice in the possibilities of the new technology. It is very appealing to be able to not have to buy new CDs and just wait for someone to upload them to the Internet or a network. But, the fact does remain that under current laws, much of fan activity is illegal. One could argue that "music should be free, " and that this would only enhance the quality of music people listen to as the performers would not be as interested in the monetary rewards of "making it big. " But, this is a rather utopian vision not likely to occur.

Personally, as a huge music fan, I really enjoy listening to a wide variety of music without ever having to purchase a CD, but it is easy to understand the frustrations of the RIAA and artists who are concerned about the sales of CDs. As with anything, the MP 3 craze is too good to be true. I think that regulations will become more strict, though enforcement will be difficult, eventually digital music will become as regulated as CDs are now. Record companies might have to make some changes, but I do not think that they will cease to exist or lose power.

As noted in the list of companies who are interested in the SDMI, the interests of record companies are not the only ones represented. Also, the laws are slow to change and less stringent laws are probably not a possibility as those with the interests will lobby for stronger laws, not more lenient laws. Conclusion Hopefully, this paper presented a clear view of how intellectual property, technology, and music all relate. There is a lot at stake for many people with interests in any one of the three areas when looking at possible regulation and laws, this paper was just a glimpse of that.

MP 3 controversies are reported on almost daily in Wired News's section devoted exclusively to MP 3 s. Technology offers ever expanding possibilities, but the consequences (good or bad) are still being determined. There are obvious challenges for all those with interests in any of the areas and it will be interesting to see how these challenges are dealt with as there are many different views on what should happen. To Top of Page Back to Introduction Page Bibliography /Works Cited 4 C Entity. Secure Digital Music Initiative. 6 April 1999 web Bank, Robert P. Protecting Intellectual Property Rights: Issues and Controversies.

Washington, D. C. : American Enterprise Institute for Public Policy Research, 1987. Bergman, Marilyn. "Copyright Order Belongs on the Cyber-Frontier. " Billboard 11 Oct. 1997: 10 +. Copyright Bill Clears Congress - Wired News. Wired Digital Inc. 26 March 1999 web "Copyrights and Copy wrongs. " The Economist 27 July 1996: 16 - 18.

DRAFT -- Febuary 2, 1999, Doc. Secure Digital Music Initiative. 6 April 1999 web Fleming, Heather. "Searching for IP Boundaries (in cyberspace). " Broadcasting and Cable 18 Nov. 1996: 19 +. Garnett, Nic. "WIPO to have Profound Effect on Music. " Billboard 18 Jan. 1997: 6 +. Goodman, Fred. "Is MP 3 the End of the Music Business?" Rolling Stone 1 April 1999: 25, 38 - 39. Gross, Neil. "Target Pirates - Not Technology. " Business Week 2 Nov. 1998: 40 +. Hit, Julie.

Internet Resources for mp 3 files. 13 Feb. 1999 web Holland, Bill. "Crucial C'Rights Bills Advance In House: Legislation Extends Term, Covers Theft Via Computer. " Billboard 11 Oct. 1997: 9 +. Hsieh, Lilli, Jennifer M. McCarthy, Elizabeth Months. "Intellectual Property Crimes. " American Criminal Law Review 35. 3 (1998): 899 - 942. Introduction - Copyright Information.

World Intellectual Property Organization. 29 March 1999 web Jones, Christopher. Beastie Boys Hit MP 3 Radio - Culture News for Wired News. Wired Digital Inc. 5 April 1999 web -- -. Making It Big With MP 3 - Wired News.

Wired Digital Inc. 6 April 1999 web -- -. An MP 3 for Every Occasion - Wired News. Wired Digital Inc. 5 April 1999 web Manchester, Nate. Webmonkey: multimedia: MP 3: The Nuts and Bolts. Wired Digital Inc. 4 April 1999.

web MP 3 Cutting Into Music Sales? - Wired News. Wired Digital Inc. 26 March 1999 web MP 3 Search Engine Under Fire - Wired News Wired Digital Inc. 26 March 1999 web Okerson, Ann. "Who Owns Digital Works?" Composing Cyberspace: Identity, Community, and Knowledge in the Electronic Age. Ed. Richard Houston. Boston: McGraw Hill, 1998. 343 - 49.

Online Piracy. Recording Industry Association of America. 5 April 1999 web Pavlik, John V. New Media Technology: Cultural and Commercial Perspectives. Boston: Allyn & Bacon, 1998.

Piracy. Recording Industry Association of America. 5 April 1999 web Powell, Adam. Webmonkey: multimedia: MP 3: Legal and Ethical Issues. Wired Digital Inc. 4 April 1999 web -- -. Webmonkey: multimedia: MP 3: Transformation of an Industry. Wired Digital Inc. 4 April 1999 web Sapherstein, Michael B.

Intelligent Agents and Copyright: Internet Technology Outpaces the Law... Again. Intellectual Property and Technology Journal. 26 March 1999 web org / avp /law / st org / ipg /it / articles / content/ 1997102801. html. Schwartz, David. Strange Fixation: Bootleg Sound Recordings Enjoy the Benefits of Improving Technology.

Federal Communications Law Journal. 25 March 1999 web SDMI Continues Fast Path Toward Expanding Digital Music Marketplace. Recording Industry Association of America. 5 April 1999 web Steel, Sidney and M. William Krasilovsky. More About This Business of Music. 3 rd ed.

Ed. Lee Zhito. New York: Billboard Publications Inc. , 1982. THE Source for Downloadable Music: About Good Noise. Good Noise Corporation. 5 April 1999 web Strong, William S. The Copyright Book: A Practical Guide. 3 rd ed.

Cambridge: The MIT Press, 1990. Sullivan, Jennifer. Chuck D Keys on Notes - Culture News from Wired News. Wired Digital Inc. 5 April 1999 web -- -. RIAA Sets the Record Straight - Wired News.

Wired Digital Inc. 26 March 1999 web Talk, R. S. Commonsense Copyright: A Guide to the New Technologies. Jefferson: McFarland & Company, Inc. , 1986. WPPT 1996.

World Intellectual Property Organization. 29 March 1999 web


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Research essay sample on Recording Industry Association Intellectual Property

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