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Example research essay topic: A Good Man It Hard To Find - 1,043 words

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... raves right in the middle of it. Coincidentally, five or six family members sit in the car: the grandmother, Bailey, the mother, the baby, June Starr, and John Wesley. Then, the family stops to eat at a restaurant named The Tower, run by a couple named the Butts. Mrs. Butts confesses her fear of the Misfit robbing her cash drawer while her husband Red Sammy talks about lending credit to two men in an old but decent car.

These two symbolic occurrences serve as indications of the Misfits location (Driskell and Brittain 48). After eating at Red Sammy's, they continue their journey to Florida. The grandmother drifts in and out of cat-naps, but awakens quickly when the family reaches the town of Toombsboro. When analyzed, the word tomb pulled out of the towns name foreshadows how the family will meet their end (Friedman and Lawson 131). While passing through the town, the grandmother remembers a house from her past that she would enjoy visiting again. When the family resists, she gives the house an element of excitement, telling the children about a secret hiding place where the family stored their silver.

Her exaggerations cause the children to become intrigued in the house as well (Driskell and Brittain 49). OConnor continues to throw hints of the family's fate in front of the reader after Pitty Sing causes Bailey to flip the car. As they gather themselves back together after the accident, instead of being frightened, the children begin to joke and play about their situation. They voice their disappointment that no one was killed. Instead of using the word died, OConnor uses the word killed.

Furthermore, while they wonder what to do next, a big black battered hearse-like automobile (OConnor 405) tops the hill coming towards them, presenting the last clue before the actual killings begin to occur (Muller 288). The hearse foreshadows how the family will be leaving the town, and carries the family's murderers as well. When brought face to face with the men planning to soon take the lives of everyone in the family, aside from the cat, the conversation between the grandmother and the Misfit enormously affects the consequences soon to be brought on the family. As the Misfits accomplices escort the rest of the family to the woods, the grandmother exclaims that the Misfit should pray. She then makes clear the importance of prayer. She tells him over and over that if he would pray, Jesus would help him.

She keeps repeating herself telling the Misfit that she knows he is a good man. These short, desperate comments show the grandmothers realization of death. OConnor gives a role similar to that of Satan to the Misfit (Grimshaw 44). But while engaging in conversation with the grandmother, this Misfit portrays his own foreshadowing when the grandmother asks him why he was sent to the penitentiary for the first time. He speaks about how he was put in jail for killing his father. The problem he has with the situation lies that he continues to deny that he committed the crime.

Even though the government holds proof, he believes he did not do it; therefore, he believes he was buried alive. He describes the jail cell where he stayed, explaining how everywhere he looked, there was a wall. This description shows the Misfits vision of the world from a different point of view (Muller 288). When the Misfits men come back from murdering Bailey and the others, he brings the Misfit Baileys shirt.

When the grandmother sees the shirt on the Misfit, she recognizes the article of clothing as her sons, and realizes that the Misfit is also her child through God. In order for her to act as a true Christian, she must accept him and forgive him (Martin 51). She looks at him and exclaims, Why youre one of my babies. Youre one of my own children (OConnor 415). The Misfit replies to her outburst by shooting her three times in the chest, bringing the long awaited tragedy, the death of the grandmother, to a reality. Like the old womans children, the Misfit has been raised without spirituality; and without spirituality, as the Misfit remarks himself, one might as well "enjoy the few minutes you got left the best way you can -- by killing somebody or burning down his house or doing some other meanness to him" (OConnor 415).

In effect, the Misfit has said that if a person is not willing to accept God, then he or she might as well throw propriety to the winds, and go out and become a serial killer. In Oconnor's view, to reject Gods love in small ways is just as sinful as rejecting his love in big ones, because without God there is no value system left. Flannery OConnor uses strong imagery and symbolism to foreshadow the tragic events that occur at the end of A Good Man is Hard to Find. She first gives her readers a taste of the ending by informing them of the evil ways of the mass murderer, the Misfit.

She then proceeds to foreshadow many upcoming events through an epigraph, characterization, attention to details, sequence of events, and dialogue. But although informative in her writing, OConnor remains careful not to give away the surprise ending too soon. On examination of the storys details, readers can easily ascertain the ubiquitous sign posting of the tragic denouement of the nameless family. Works Cited Friedman, Melvin J. and Lawson, Lewis A. , Eds. , The Added Dimension: The Art and Mind of Flannery O'Connor, New York, Fordham University Press, 1977. Grimshaw, James A. , The Flannery O'Connor Companion, Westport, CT, Greenwood Press, 1981.

Martin, Carter W. , The True Country: Themes in the Fiction of Flannery O'Connor, Kingsport, TN, Kingsport Press, Inc. , 1969. Muller, Gilbert H. , Nightmares and Visions: Flannery O'Connor and the Catholic Grotesque, Athens, GA, University of Georgia Press, 1972. Driskell, L. V. and Brittain, J. T. , The Eternal Crossroads: The Art of Flannery OConnor, New York (1971) OConnor, Flannery.

A Good Man is Hard to Find. Literature: An introduction to Fiction, Poetry, and Drama. X. J.

Kennedy and Dana Gioia. 8 th ed. New York: Longman, 2002. 405 - 416.


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