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... entry did a musical album entitled "Old Yellow Eyes Is Back. " The title parodies Frank Sinatra ("Old Blue Eyes") and the character Spider plays; he dons yellow contact lenses as part of his android costume. One of the songs on the album features his fellow co-stars as backup singers. A final note belongs to Wil Wheaton, who plays Ensign Wesley Crusher (and son to Dr. Crusher, the ship's doctor) on The Next Generation. He had already acquired some semblance of fame as the lead in the flick Stand By Me.
However, Wesley has also been stereotyped as a whining child in a teenager's body who sulks in his quarters whenever he doesn't get what he wants. The show has been so popular and so stereotyped that the parodies it has endured run into countless numbers. But most of the Star Trek parodies we are familiar with are those on the accessible media: radio and television. The NBC late-night comedy show Saturday Night Live has done it at least twice; one with the late 1970 s cast (which had John Belushi at the ship's helm), and another time when William Shatner himself hosted the program, where the ship had turned into a restaurant of sorts. (I distinctly remember Dana Carvey playing some character out to get Kirk by listing sanitary problems with his restaurant. I can hear it now... "No sneeze-guard on the salad bar!" ) Furthermore (possibly on the same show, because I don; t think he hosted the show more than once), a skit about a Star Trek convention was produced, and the convention was especially lucky because William Shatner, nearly considered a god to these die-hard Trekkie's, would actually be speaking at the convention.
In his speech, he says that he is sick and tired of all this nonsense and tells all the Trekkie's to "get a life. " (Some say this skit is the origination of that particular phrase. ) He asks one Trekkie in particular, who looks like the stereotypical nerd and wears a T-shirt that says "I Spock Spock" (and who knows what that means), after guessing his age to be about 30, if he had ever kissed a girl. He shies away and looks embarrassed. He does the same to others, lashing out at their eccentric fetish, screaming "I mean, it's just a TV show!" Then some angry suit whispers something into his ear, and he returns to the podium, looking red in the face and apologizes to the crowd, saying that was what the evil Captain Kirk would have said, had he been here today. He was just pulling your collective leg, ha ha ha, now live long and prosper, and he " ll see you on the bridge. A funny song called "Star Trekkie'" was created by a band called The Firm (not to be confused with a rock band of the same name). The chorus was: "Star trekkie' across the universe, on the Starship Enterprise, with old Captain Kirk...
Star trekkie' across the universe, boldly going forward 'cause we can't find reverse. " The song received heavy airplay on "The Dr. Decent Show, " a radio program which only played really bizarre and funny tunes. All the verses of the song were the repetition of classic lines used in the original series, such as: There's [sic] Klingons on the starboard bound, Jim You cannot change the laws of physics, Jim Scotty, beam me up! It's life, Jim, but not as we know it, Captain It's worse than that -- he's dead, Jim! The above phrases are but a few in the vernacular of the show's history. A few others are "Onscreen" (which has been used in both the original and The Next Generation series), "Make it so" and "Engage", used exclusively by Jean-Luc Picard on the newer show, and "Thank you, number one, " also used exclusively by Picard to his right-hand man, William Riker.
The uses of computers and networking have allowed many people (including college students) access to a wealth of information about nearly anything -- a worldwide computer library, if you will -- and the possibility to hold conversations across the globe. A lot of information for this paper was retrieved from the computer networks, and a minuscule fraction of it has newsgroups and permanent computer discussions which parody Star Trek in every imaginable way. For example, a computer news group system exists on the network where one can read postings by people across the globe on numerous topics, ranging from music to jokes to sports to sex to television. There are (at last count) over twelve hundred groups. Nine del with Star Trek in one way or another.
Some of the names of these groups include alt. startrek. creative, rec. arts. startrek, rec. arts.
startrek. fandom, rec. arts. startrek. info, rec. arts.
startrek. reviews, and rec. arts. startrek. tech. (The computer network is in itself part of what Star Trek is all about: the show has the ability to communicate nearly anything in its known universe in a matter of seconds. Once I sent a piece of electronic mail [a.
k. a. e-mail]to a student at the University of California at Berkeley; he said he received it in under five minutes. Sure beats the postal service, and it even beats Federal Express. Those who are obsessed with the show and the image it projects upon society sometimes like to dress the part; this is the marketability (and the subsequent financial success) of the image. The show does offer uniforms, insignia, posters, hats, and other paraphernalia to the public through mail order catalogs and fanzines.
My friend James (whose computer account name, by the way, is "Enterprise") has a lapel pin which is used on the show for internship communication. He loyally wears it on the vest he wears while working. Many Star Trek discussions have sprung up in recent times comparing Old Generation characters to their Next Generation counterparts, leading almost to a shouting match between those who hold the original series near and dear to their hearts, and those who have jumped on The Next Generation bandwagon in recent years (like myself). Comparisons between Kirk and Picard, Spock and Data, Scotty and La Forge, and Bones and Crusher are many and varied. An example of a main difference between different characters in like positions in different television series is that of the desires of the resident "brains": Mr. Spock and Lieutenant Commander Data.
Spock, being half Vulcan, shuns emotions and feelings, although his other half is human. Spock is caught between two forces. Data, on the other hand, is an android, a computer which looks human, who wishes to become human (the Pinocchio theory). This comparison is blown wide open when Nimoy makes a rare cameo appearance on an episode of Star Trek: The Next Generation, and he holds a conversation with Data which covers the above. A final bit of information about this cultural obsession involves actual use of the shown real life. In the movie Star Trek III: The Search for Spock, the Klingon language was partially invented and used in the film.
English subtitles were used when Klingons were conversing in their native tongue. A linguist somewhere in America got a hold of an idea, and began long talks with the people behind the scenes of Star Trek: The Next Generation concerning the full invention and implementation of a real Klingon language. The Klingon language now does exist, and it holds the odd distinction of being the first artificial language created solely from the field of entertainment. Glossaries and dictionaries are in print, and the language consists of a lot of guttural and groaning sounds, along with difficult consonant combinations that would cause any American to emit saliva in an outward direction while attempting to talk in this truly original language. The Klingon language has rules of grammar, spelling, and the alphabet looks more like an Oriental language than Cyrillic. Therefore, the true die-hard Trekkie can actually use something in his quest for Star Trek Nirvana.
To conclude this paper, I will prove that Star Trek is a cultural obsession. Some of the information gathered for this paper came from a few friends with their few various thoughts, and the small amount of information I got from my computer account. However, the bulk of information came from my memory and personal experience. And I don't even speak Klingon.
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