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... upon him the approval and affection of the fictional world's power structures" (Djordjevic 2003). Is Othello Real? Now we will turn in our discussion to a possible objection to the fact that Othello is a tragic hero. Some criticism of his belonging to this category comes from the "speculation concerning the realism and probability conveyed by Othello which suggests that because of the seeming unlikelihood of the events in the play, it is not characteristic of a tragedy" (Sharina). Indeed, the plot develops in a rather speedy manner and the playwright does not elaborate on Othello's or other characters.
Even so, the action seems unrealistic only at first glance. First, it is a mode of the artist to show the public the unusual and the unexpected basing these things on the knowledge of everyday things that are familiar to everybody. Shakespeare here makes his audience see jealousy in a new light, and it is no wonder that the name of Othello has come to be a generic name for a jealous husband. It is positive that reading through the story had a deterrent effect on the behaviour of many violent husbands who could have stopped short of beating their wives to death in a family quarrel provoked by suspicions of infidelity. And is such a scenario an unlikely one?
Women die in family 'battles' even in most developed nations of the world today, and the examination of domestic violence statistics may show that wife murder is unfortunately still a prevalent phenomenon even after centuries of struggle for gender equality and reduction of crime rate. If we consider that things that are unusual in our own environment may unfortunately be prevalent in the lives of other social groups, we will see that events in Othello are not that unusual. The fact that Othello is easily persuaded to murder his wife by Iago should not be regarded as totally unrealistic either. This is what Aristotle would describe as hamartia - the character's tragic flaw.
For Othello, it is his naivet and credulousness. His devotion comes to be exploited by one of the most ingenious villains in the history of literature. Iago's motives appear clear. Indeed, so many evil actions are committed every day due to jealousness that Iago's behaviour should not be surprising. In this character, viciousness is combined with deep psychological insight and potential for intrigue that are worthy of a better application. To count as Othello's close friend and ally, Iago had to be an outstanding player skilfully performing the part of the devoted ensign.
He manipulates Othello to bring about his ruin in a way in which Othello would never be able to manipulate him. The events in the play may lead the reader to question why Othello is so ready to trust Iago and unwilling to trust his beloved wife Desdemona, a fact that generates the protagonist's tragic flaw. There several possible explanations for this apparently surprising behavior. First, Othello has come to rely on Iago in numerous mutual adventures where both risked their lives. The time itself spent together justifies the trust Othello puts in Iago.
Perhaps to that point he had never come across the betrayal of a close male friend, except for Casino, but there the conflict, in Iago's suggestion, was caused by the woman. Second, Othello's relationship with Desdemona arrived at the time when he probably had lost hope for a happy family life. She appeared as a star on the horizon to illuminate his life, and all the time he probably doubted that he could be a proper match for the beautiful girl she was. The idea that she is betraying him with someone else, someone younger, more handsome and closer to her in terms of background, social rank and status, falls on ready ears. This is something Othello had feared to hear for a long time, in spite of the seemingly idyllic love between him and his wife. Thus, Othello's actions seem closer and more understandable to us than seems at first glance.
And it is action, not characterization that makes a tragedy, according to Aristotle (Sharina). That is why he is a real tragic character. Comparison to Other Tragic Heroes Othello is similar to and different from other characters in other plays by Shakespeare. Of all the characters, he probably falls most of all due to his own tragic fault, and Aristotle's hamartia is most evident in this case. Other characters such as King Lear, Hamlet, Macbeth, Romeo, have to fight evil in a more open form. Hamlet, for instance, has to deal with the betrayal of his father-in-law and mother.
True, he has to obtain proof of their betrayal, which is the reason he suspends the revenge desired by his father. But there is hardly a reason to blame Hamlet from the point of view of modern liberal criminal justice that places emphasis on preserving the rights of the suspected. Hamlet acts on the evidence he has, and his indecisiveness is the direct consequence of his responsible attitude towards revenge. King Lear, in his turn, falls victim to his paternal feelings. His misfortune was brought about by his extreme trust in his daughters, but few readers would expect a father to act in distrust of one's children.
Mothers and fathers forsaking all they have for their children are praised and respected in our society that highly appreciates such behavior. The fact that daughters turned out to lack gratitude is an example of undisguised evil that can, as many people think, happen to the best of parents. These two characters are definitely not villains; rather, they fall prey to evil people eager to take advantage of some traits of their characters that under other circumstances are most worthy. Strictly speaking, their actions cannot even be named mistakes from the moral, not strategic, point of view. Macbeth, on the other hand, is a straightforward villain, and his ruin is the result of his own treacherous acts. He yields to ambition, killing Duncan, to become King of Scotland.
A virtuous reader has little ground to associate oneself with this character and simply observes a tale of how a villain is brought to ruin through his deeds. Othello, on the other hand, is essentially a moral person who fails through making a terrible mistake. Conclusion Thus, Othello is a bona fide tragic hero, even if he is not a man of unusual stature or appearance. He possesses all the vital traits of the tragic character, noble qualities, pure character, and a tragic fault, his naivet that makes him vulnerable to the intrigues of his antagonist, Iago.
A staple comic character, a deceived husband, he is turned into a really tragic personage by the sympathy with which Shakespeare describes his misfortune. His tribulations, although somewhat unrealistic at first glance, are in line with the everyday happenings even in contemporary world. Othello stands out from other tragic heroes, because he falls through his own flaw and yet his flaw is so minor that is incomparable with the misfortunes he suffers.
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