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Example research essay topic: Act 3 Scene 3 Scene 3 Line - 1,318 words

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Because Othello is a tragic hero, his problem involves both his character traits and the situation that he finds himself in. There are many problems with Othello's character. He is overly loyal, even to the extent of being gullible. He may also, to some extent, have insecurities about being black. These insecurities show themselves in the way he never truly thinks he was good enough for Desdemona, and is subsequently easily manipulated by Iago. He also lacks the talent for eloquent speech that is essential for living in his society, and subsequently feels beneath those who have this talent.

However, his situation also leads to his problems. He is stuck with Iago, who has a talent for easily manipulating Othello. Iago has the ability to take the virtuous aspects of Othello and turn them against him. Othello also lives in a sexist society, which may have helped Iago (a man) turn him against Desdemona (a woman) because he was more inclined to believe a man. It takes Iago only one scene to make Othello believe that his wife is cheating on him. This loyalty, while often seen as a virtue, is turned into a flaw by Iago.

At the beginning of Act 3, Scene 3, Othello professes his loyalty to Iago: I know though full of love and honesty. This sign of love and affection is used by Iago against Othello. At the beginning of Act 3, Scene 3, Othello also professes his love for Desdemona: Excellent wretch! Perdition catch my soul but I do love thee; and when I love thee not, chaos is come again. However, by the end of the scene, because of Othello's nave loyalty, he believes Iago absolutely, and asks for Cassio to be murdered: Within three days let me hear thee say that Cassio's not alive. The only proof that Othello has at this stage is Iago's word that he saw Cassio with Desdemona's handkerchief, and it is this flaw of nave loyalty that is part of what is wrong with Othello.

Part of what is wrong with Othello is that he is a black man living in white society, and he may feel insecure with his race. There is a lot of symbolism in the play that plays on white vs. black. This symbolism may lead Othello to believe that he is below everyone else. It is stated by Iago that Othello being with Desdemona is unnatural in Act 3, Scene 3, line 230: Not to affect many proposed matches of her own clime, complexion and degree, whereto we see in all things nature tends foul disproportion, thoughts unnatural.

Throughout the play, Othello is confronted with the idea that because he is black he is not good enough for Desdemona, and their very being together is against nature. In Act 3, Scene 3, line 96, it is said by Brabantio: To fall in love with what she feared to look on? This comment, and the implication that a good white girl would not even look at a black man would lower further Othello's self-esteem, and make it easier for Iago to later on exploit his insecurities. Also, in act 2, scene 1, line 220, Iago comments: What delight shall she have to look upon the devil? ...

Very nature will instruct her in it, and compel her to some second choice. Once again, this line reinforces that because Othello is black, it is unnatural for him to be with Desdemona. After Iago has been dropping hints about Cassio and Desdemona having a relationship, in act 3, scene 3, line 265, Othello comments; Haply for I am black essentially admitting his fears that it is because he is black that Desdemona is unsatisfied by him. The symbolism of the colour black creeps in in act 3. Othello comments that Her name that was as fresh as Dians Visage, is now begrimed and black as mine own face. It is Othello himself this time suggesting that the colour black is evil.

Most importantly, near the end of the scene, line 445, Othello summons his rage by saying: Arise, black vengeance, from thy hollow cell This creates an image of Othello unleashing his inner black self that he has hidden under the face of his nobility. Because of the comments on the inferiority, and devil-like nature of the colour black through out the play, Othello may feel inferior, and not think himself worthy of Desdemona, thus he is more easily persuaded by Iago. Part of what is wrong with Othello is the society he lives in. This society places a great emphasis on eloquent speech. Also, because of society, Othello finds himself around devious Iago.

The society that Othello lives in is very fond of playing with words. It is see it as a form of gallantry, for example, Cassio says: Let it not gall your patience, good Iago, that I extend my manners. Tis my breeding that gives me this bold show of courtesy. In act 1, scene 3, when Othello is explaining to the duke and Brabantio how he got Desdemona to fall in love with him, he starts his speech with the comment: Rude I am in speech and little blessed with the soft phrase of peace.

He uses a similar comment many times through out the play, and because he uses unvarnished speech he is even more susceptible to Iago's plan. Iago is very good at playing with words, as shown in his misogynist banter with Desdemona in act 2, scene 1. This skill is also shown throughout the entire temptation scene. Iago uses a strategic process of dropping hints, but then going back.

He does this to try to make Othello reach the conclusion about Desdemona. For example: Iago says, in Act 3, Scene 3, line 199: look to your wife observe her well with Cassio... I would not have your free and noble nature, out of self-bounty, be abused, in this way he plants the seeds of doubt in Othello's mind. In Act 3, Scene 3, line 220, he then retreats from this suspicion: I am pray you not to strain my speech to grosser issues nor to larger reach than to suspicion. Othello succeeds as a play to an extent.

Although it is a tragedy, Othello is not a stereotypical tragic hero. A normal tragic hero is some one of high status: in the aspects of nobility, personality, and social standing. Othello, although he is a general, does not have a heroic social standing, and is looked down upon because of his race. He is, however, seen as noble because of his virtuous nature. It can be argued that, rather than a hero, Othello is just a normal man affected by circumstance, and his personal flaws dont come in to his downfall. However, the irony is that rather than because of his flaws, it is because of his virtuous that he loses status.

Therefore, Othello to an extent does not work as a tragedy, because he was never of high social status, and his flaws were not instrumental to his downfall. However, the story is still one of a man of high noble status, who has a downfall, through mainly fate, but also his situation and character. In Conclusion, what is fundamentally wrong with Othello is his virtue of loyalty, and the simple fact that he is black. Both of these things lead to his eventual downfall.

His loyalty in Iago results in him believing him, and killing his wife, whilst the fact that he is black, along with the insecurities it brought, resulted in him feeling he was never good enough for her anyway. Othello as a play works to an extent. It does not fit the general description of a tragedy, because rather than his downfall being attributed to fate and his flaws, it is attributed to the evil deceptions of others, and his virtues.


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Research essay sample on Act 3 Scene 3 Scene 3 Line

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