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Rap Music is not music but it is a cleverly marketed euphemism disguised to give the obnoxious noise societal legitimacy. Describing the (disenchanting) chanting of Rap Music as singing or as music is indeed (in either case) a capital misnomer. Real Music is the careful arrangement of organized sounds in the form of notes that then result in a smooth blend of rhythm, tone, and pitch that when united, is quite pleasing to the ear. Rap is not music. The unpleasant-sounding horror is chaotic dissonance and certainly not elegant consonance. Rap is veritable noise pollution that is tastelessly amplified from a cumbersome boom box.
Generally speaking, unlike black soul music and traditional black rhythm and blues, Rap is both heartless and soulless. Standard love songs show respect and consideration for a member of the opposite gender but most contemporary Rap lyrics promote a hedonistic me first ghetto survival theme that is cruelly perpetuated upon its afflicted listening audience. When Rap songs first appeared I believed that the clamorous nonsense would be another fad phenomenon that would gradually vanish like 70 s disco music had slowly but surely lost its clout (along with our attendant intrigue and curiosity). But unfortunately the dunce-like Rap lyrics herald the worst elements of society and the brazen inflammatory words glamorize sex, drugs, random and deliberate violence and gang intimidation themes that through-and-through reek with sexism, racism and the glorification of the ghetto mentality.
In most Rap song themes the dysfunctional dregs of the inner city are elevated to hero status while the entertainers sound like disgruntled grunting angry contemporary cavemen who are advocating the downfall of white America with vitriolic words expressing rage, rebellion and social revolution. This expansion of the easy-money anti-establishment ghetto mentality is fueling resentment and hostility among disenfranchised inner city youth as well as contaminating the gullible and vulnerable minds of suburban teens. But the entire reprehensible in-progress-brainwashing technique that Rap Music demonstrably utilizes is both a sham and a canard that is trafficking affected teens down a treacherous One-Way-Street that leads only to a permanent lackluster socio-economic cul-de-sac. What a pathetic and ignoble social disaster!
In the 50 s and early 60 s black rhythm and blues imaginatively captured the hopes, the dreams, the ideals and the aspirations of both white and black teens as portrayed in the quality music of Chuck Berry and Fats Domino. Early black music was a unifying force in America. True, Little Richards music was a tad rebellious but it was not downright dirty, immoral or degrading like modern rap is. The early 50 s black artists songs paralleled the dreams of both white and black America and the entire country was basically on the same musical wavelength. And then this constructive and positive racial parallelism continued into the early 60 s with the establishment of Detroit's Motown where both black and white society shared a common interest in radio renditions of the ideal boyfriend, the ideal girlfriend, the ideal teen relationship and the music beneficially emphasized the stability that typical teenage romance provided. The Temptations, the Supremes, the Shirelles, the Marvelettes, Stevie Wonder, Lionel Richie, Mary Wells, Smokey Robinson, The Four Tops and Martha and the Vandellas all espoused civilized relationships between males and females and their songs genuinely advanced the perpetuation of commonalities in our great American culture.
Ironically white performers were very instrumental in contributing to the origins of Rap Music. Certainly Blondie's Debbie Harry's classic rendition of Rapture and the Beastie Boys amusing Fight For the Right To Party preceded the appearance of more radical rappers like Vanilla Ice and Eminem. And M. C. Hammers unique song Cant Touch This!
gave Rap a happy moniker and the lively tune showed both versatility and great potential for the development of new sounds in the recording industry. But then Run DMC, Public Enemy, Ludacris (Whatever happened to standard spelling? ), 50 Cent (Whatever happened to the idea of plural usage in English grammar? I mean, Ive heard of one cent! ) and oh yes, Eminem and other rappers gradually emerged and began shouting and ranting words that featured intimidation, class conflict, hatred of authority (including police, parents and teachers), defiance, insolence, animosity, conflict and racial divisiveness. Rap Music is both uninspiring and generally counterproductive to the good of the order. The scurrilous pox lionizes a mediocre ghetto existence as the epitome of human pursuit. Rap Music is essentially non-creative no matter how creative its performers think they are in writing it or in presenting it.
And the rappers have the unmitigated audacity to describe themselves as artists. Well, Michelangelo's, Leonardo Da Vinci's, Picasso's and Rembrandt's most of those arrogant buffoons are not. And few rappers can actually sing a strong note like Elvis Presley, Johnny Mathis, Jay Black and Ray Charles could! Most rappers can just robotically shout, yell, holler, drivel, rant, slobber, prattle and babble in rubbish junkie mechanical non-poetic lyrics that lack imagination, inspiration and rhetorical quality. And the egocentric rappers amoral anthems are designed to corrupt American society and tear it down to the dangerous and literal dog-eat-dog human condition that realistically exists and flourishes in American slums. Why isnt Rap Music genuine music?
Because Real Music possesses two authentic characteristics: it has grace and beauty, two marvelous components that Rap sadly lacks. Rap tunes usually are nothing more than one monotonous beat accompanied by certain anti-social mantras repeated over and over again. Real Music usually has singing associated with it but Rap only pretends to be music with relentless in your face threatening lyrics and assorted menacing hand and face gestures. Real Music has a variety of instruments while Rap is ordinarily arranged with only a hypnotic drumbeat and perhaps a guitar accompanied by some hyperactive dolt wildly scratching a record surface.
Standard songs are generally arranged in a clever A-B-A verse pattern or rhythm format and most Rap Music just sounds like a flat tire riding and rumbling over a series of bumpy dirt roads. There are few chords (piano, guitar or otherwise) exhibited in Rap Music and the dictatorial didactical tone of voice that is exhibited (a substitute for real singing) is quite deficient in acceptable harmony and melody. In short, Rap Music is a one-dimensional medium and is devoid of both width and breadth. It is shallow and hollow linguistic jargonize d anger-oriented ghetto garbage. Rap Music is analogous to looking at a rainbow having only one dull color. High-profile black leaders like Jesse Jackson and Al Sharpton should demonstrate the courage to condemn and denounce Rap Music that ostentatiously promotes negative and pessimistic views of American culture along with perpetuating anti-social attitudes.
For the most part (with few exceptions) Rap is quite detrimental and deleterious, and the repugnant curse is the antithesis of all that is good for the betterment of America. Rap Music extols a subversive counter-culture that undermines all that is advantageous about the USA. It is an adverse divisive force that pits parents against their children, rich against poor and teens against authority. Certainly it doesnt take much of a genius to concoct lyrics that come up with diabolical rhyming words for ditch and witch and for duck and luck! Of course the self-indulgent rappers insist that they are fine examples teaching inner city kids the value of free enterprise and becoming successful junior entrepreneurs in a capitalistic economy by having the impressionable juveniles tailor their activities after their role-model mentors.
But the stark truth is that less than one percent of prospective rappers ever hit the jackpot with the remainder of aspirants finding a dismal crock of fools gold at the end of their rainbows. Like everything else from publishing to professional sports and from Wall Street to Main Street, only the top three percent of the participants wind-up making the big bucks while the remainder of the wannabes in any given profession founder and flounder in defeat and mediocrity. The Rap Music Industry is no different than the rest of capitalistic America is in terms of its low percentage of success stories. Most of Raps juvenile adherents are doomed to mediocre futures with dead-end minimum wage jobs at best (if they dont become criminals in the meantime) and if the kids actively espouse the ghetto lifestyle as indicated in rap song lyrics, then those youngsters are truly heading in the wrong direction that will guarantee them lives fraught with conflict with society, with adult authority and the with the law. There is no doubt in my mind that the Rap Record Industry exploits and corrupts both the consciences and the hearts of inner city and suburban kids that gravitate to the sound and additively like listening to it. Rap Music is both a divisive force and a toxic influence in American society.
The pestilence praises the ghetto mentality model as a model worthy of imitation and the cultural epidemic (that the rampant social cancer is) has up-to-now generated little redeeming value. Rap Music mercilessly reduces mankind to a base biological existence and it insidiously subverts the spiritual and the intellectual aspects of human beings mental and emotional composition. If human life could be expressed as a mathematical division problem, then according to the rappers persistent messages, the lowest common denominators of all human relationships are sex, drugs, anger, contempt and rebellion. Rap Music connotes a disdain for self-sacrifice for others, it suggests (by omission) an aversion for social commitment and for community service, and it advances (by omission) a despising of individual responsibility and an apparent antipathy for standard accepted interpersonal morality and ethics.
In the final analysis Rap Music undermines basic human charity, human decency and human consideration for the rights and properties of others. In the overall Rap Music scenario, hate has replaced tolerance, self-gratification has replaced prudence, arrogance has replaced humility and hostility has replaced compassion. To add to the ongoing dilemma other benign abstractions also have been viciously assaulted. In the Rap Music World defiance has replaced respect, sex has replaced courtship, using others for personal gain has replaced basic courtesy and wanton rape has replaced teen romance. Rap Music (in general) is definitely a harmful and dangerous factor to American civilization because the colossal scourge equates (in innocent adolescent minds) pervasive corruptive moral fallacies purporting that: adventure tragically equals thugs and drugs, that freedom is social anarchy, that love is the same thing as sex, that justice is a vigilante-oriented lifestyle, that truth can only be represented as deplorable ghetto misery, that honor is nothing more than revenge and last but not least, that Thomas Jefferson's Pursuit of happiness is really only the pursuit of selfish pleasure. In conclusion, the flimflam known as Rap Music is not bona fide music because the blight is without grace, without beauty and without love, the fundamental truly joyous qualities that are vitally necessary in order to make life both satisfying and worthwhile in any given civilization.
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Research essay sample on Rhythm And Blues White And Black
